Sunday, 24 February 2013

The Godfather Analysis

The Godfather
 
 
The Godfather is seen as one of the best films ever made, especially from a technical standpoint, being one of the most quoted and imitated films of all time. it shows as it was nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay. The Godfather was followed by a pair of sequels, showing how well it was liked.

The film follows the story of Don Vito Corleone (Marlon Brando) and his son Michael (Al Pacino) in the 1940's New York. It starts at the wedding of Corleone's daughter, Connie, to which Michael brings his girlfriend, Kay, and explains the family buisness to her. Later in the film the Don gets shot down, after barely surviving the first assasination attempt Michael saves him from another attempt on his life. Micheal then tries to persuaded his older borther Sonny (James Caan) that he should be the one to take revenge on the men responsible. After Michael murders the men responsible he holes himself up in Sicily, while there he loves and marries a local girl, who later dies at the hand of a Corleone enemy in an attempt to kill Michael. All this happenes while back in New York a gang war erupts, and Sonny gets killed. When Michael returns to New York he gets Kay (His ex from the beginning of the film). The Don recovers and makes peace with his enemies. Michael is then the new Don and then goes to launch a campaign to get revenge on the people who once tried wipe out the family.

It has a single narrative voice told through the main character's point of view (Don Coleone). The storyline is sometimes interrupted, (which can sometimes be confusing and hard to follow), to emphasize important events, like the use of parallel storylines taking place showing Sollozzo’s double dealing with Don Corleone and another family right before the an assassination attempt on Don Corleone. The film is slow, deliberate and precise, reminding us of the head of the Corleone family. There’s plenty from vendettas to power struggles to rising through the ranks to become head of a powerful organization. More than anything, this is Michael Corleone’s (Al Pacino) story. It tells how this youngest son of Don Corleone (Marlon Brando) went from a civilian to the head of his mob family – how he cast aside the promise of a “normal” life for the duty and obligation to safeguard his family. Indeed, “family” is a big part of the film – and a big part of why Michael’s motivations seem so genuine (even if his actions are murderous). Of course, family plays a crucial role in this movie, as it does with many cultures and societies. The family theme is established fromt the first scene  at the wedding, as they are where large extended families come together, its also where the "family buisness" is first intoduced. Throughout the film there's the sence of loyalty, for example when Michael saves his father from the rivals assasination attempt. Overall the film shows that it earned it awards through the acting, music, script and directing. 




Tuesday, 5 February 2013

Credits Order

Rock 'n' Rolla's Credits Order

1st Production and Distribution Company - Warner Bros. (Logo)
2nd Production Company - Dark Castle Entertainment (Logo)
- "Warner Bros. Pictures presents" (Writing)
- "a Dark Castle Entertainment Production" (Writing)
- "In association with Toff Guy Films"
- "A Guy Ritchie Film"
Film title - RockNRolla
Actors - Gerard Butler, Tom Wilkinson, Thandie Newton, Mark Strong, Idris Elba, Tom Hardy, Karel Roden, Toby Kebbell, Jimi Mistry, Geoff Bell, Matt King
Featuring - Jeremy Piven, Chris Bridges
Casting by - Reg Poerscout - Edgerton
Costumes Designed by - Suzie Harmen
Make up and Hair design by - Kristen Chalmers
Music Supervisor - Ian Neil
Associate Producers - Lauren Meek, Martin Askew, Mickey De' Hara
Music by - Steve Isles
Edited by - James Herbert
Production Design - Richard Bridgeland
Director of Photography - David Higgs
Executive Producers - Steve Richards and Navid McIlhargey
Produced by - Joel Silver, Susan Downey, Steve Clark - Hall, Guy Ritchie
Written and Directed - Guy Ritchie

Rock 'N' Rolla Opening Scene Analysis



The film starts with a non - diagetic narrative from Archie, Mark Strong's character. He speaks to the audience in a informal, friendly slang way. He tells us what a 'RockNRolla' is, a person wants who wants everything - sex, drugs, money, fame and glamour. As the narrator continues talking theres a tracking shot of an old dark warehouse. We see a long shot of a character with his back to us, swaying slowly back and forth, in some dingy den, in time to the non diagetic song 'I'm a man' by Black Strobe of the genre, garage rock, by thissong and the title of the film the audience understand that the film will be about sex, drugs and Rock 'n' Roll. We see the man, from a medium shot, Johnny Quid - who is the same character behind the titles of 'Rock N Rolla', telling us that this is probably the man that Archie is referring to in his narration - take out a pistol lighter from his back pocket to light a bong. There are then flashbacks of this Johnny downing shots, having sex in a toilet and then pulling out two guns and pointing them out in front of him, this picture freezs and then turn into a cartoon, (shown in the picture above) where the film title comes onto the screen. For the opening credits, they stay in the theme of cartoon, introducting all the stars of the film.


After the opening credits, we see a man zooming in and as the the voice over continues, it tells us as an audience, that it's him who had been giving us the narrative before. He introduces himself as Archie introduces himself as Second-in-Command to Lenny Cole (Tom Wilkinson) who appears to be the gangster of the film, Archie introduces him and how he opperates, Archie then continues to introduce the rest og the character for us and we then see One Two (Gerard Butler) and Mumbles (Idris Elba) trying to seal a property deal then getting scammed by Lenny, and end up owing him. This opening sequence gives us the idea that the film will be following One Two and Mumbles and them trying to get their money for Lenny.


When watching the opening credits you get the sense the film is going to violent. The opening sequence is stylish with its animations, so it sets you up to think the rest of the film will be like-wise. The narrative develops a lot in the first five minutes, showing the viewer what the film is going to be about.

 
 
 

Monday, 4 February 2013

Opening Credits


Bonnie and Clyde's Opening Credits Order

- "Warner Bros. Pictures presents" (Logo)
Actors - Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman, Estelle Parsons....in...
Film Title - Bonnie And Clyde
-'A Tatira - Hiller production'
With - Denver Pyle, Dub Taylor, Evans Evans, Gene Wilder
Special Consultant - Robert Towne
Assistant to the Producer - Elaine Michea
Director of Photography - Burnett Guffey A.S.C
Art Director - Dean Tavoularis
Costumes Designed by - Theadora Van Runkle
Production Manager - Russ Saunders
Assistant Director - Jack N. Reddish
Script Supervisor - John Dutton
Makeup Created by - Robert Jiras
Sound by - Francis E. Stahl
Set Decorator - Raymond Paul
Special Effects - Danny Lee
Hair Stylist - Gladys Witten
Miss Dunawy's Makeup by - Warner Bros. Cosmetics (Logo)
Men's Wardrobe - Andy Matyasi
Woman's Wardrobe - Norma Brown
-"Technicolor" (Logo)
-"Copyright" (Logo)
Music Composed by - Charles Strouse
Film Editor - Dede Allen
Written by - Davis Newman and Robert Benton
Produced by - Warren Beatty
Directed by - Arthur Penn

Bonnie and Clyde Opening Credits Analysis



The film starts with a slide show of pictures, that is presumably each actors picture. The pictures show the character and also the way of that time, showing us the American depression in the sepia pictures After about 4 pictures the actor's name comes up on screen bold red writing. After the main actor have had their pictures and their names come up in the thirty snapshots, in the same bold font Bonnie and Clyde comes up in white writing, which gradually turns to red, like blood, presumably symbolising how they made the transition from innocents (especially Bonnie) to cold blooded murders . As the The opening credits continue rolling, non-digetic music of the jazz/swing genre - a song called "Deep Night" by Etting and Henderson, comes on. Just before the actual film starts up comes pictures of the historic pair and an introduction of them, of how their life was before they became the famous duo bank robbers.


The pictures and music from the introduction fade in to a woman's lips, which tranforms to a close up of a woman's red lips, having had lipstick just put on them, which transforms to a close up shot of a young blonde woman primping in a mirror. The woman then flings herself down on the bed, the close up shot being taken from behind the bed frame, with bars in front of her face, giving the impression she's trapped, like behind jail bars, which setts off the thought that she is meant to be behind bars later, when she becomes a fugitive. the camera then does an extreme close up of the woman's eyes. Faye Dunaway, playing Bonnie Parker is restlessly, lying around naked in her room, and pounding on her bed frame, until she gets to the window and sees Warren Beatty's Clyde looking around, contemplating whether to try and steal her mother's car. As Bonnie looks out the window at Clyde she shows lots of skin, being quite provocative, however the clever camera movements make sure she never actually reveals anything, by doing close ups of her face when it teeters on the edge of nudity. The camera exchanges shots between the two characters after Bonnie yells out the window "Hey Boy, what you doin' with my mama's car?" After the two characters seem to have sized eachother up, Bonnie tells him to wait there, while she runs back to throw some clothes on as she rushes down the stairs.


Theres lots of jump cuts in the opening scene, the editing enhances the fact that the film is all about pushing boundaries. The film is renound for being an openly violent and sexualized film. There are also not many films like this that you learn so much about the characters in the opening scene. It's one of the 60's most talked about films, as it was a volatile, controversial crime/gangster film, with comedy, terror and love.

Analysis

We have to do examples of initial textual analysis of films in the same genre. The films we have picked to analyse are:

Layercake
The Godfather
Bonnie and Clyde
Public Enemies
Gangster Squad
Rock 'N' Rolla

The films I will be analysing are Rock 'N' Rolla and Bonnie and Clyde. We are doing this so that we get a feel for the gangster genre and then we can all contribute different ideas when we make our film.

Friday, 1 February 2013

Preliminary Evaluation

 
Preliminary Evaluation

For our narrative of our preliminary evaluation, we decided to use two people talking about a girl they had just kidnapped. We used the setting of a car park near our school, and we used the far end of the car park as its surrounded by trees, and its isolated, giving it a creepy feel. Instead of using a room for the character totalk in we used a car, as we felt it gave a the right feeling for our storyline, as its about a gangster gettimg shot then dumped at the end, which a kidnapped woman in the boot.

We made a shot list to help our filming session go smoothly and it helped us stick to the script. Our filming seeming went great and we got all the shots we wanted, however we did have to change the script a bit, as the actors changed their lines a little bit to suit the character they were playing.

I was pleased with our match on action aspect used in our film, when our kidnapper is walking to the car door - while filming outside, then we see him get in the car - from filming inside. I was pleased with our use of the shot/reverse shot, which we used alto when our character were talking, and the 180 degree rule used to follow our kidnapper round the car.

The things i have learnt from pur preliminary task is that we needed to keep to the shot list, as we did multiple shot of the same thing, which was annoying as we could obviouly one. I also realized you must make the actors do exactly the same thing each time or else you don't get good continuity.